Includes the classics "Sympathy For The Devil," "Street Fighting Man," "No Expectations" and "Stray Cat Blues."
Top Ten on the U.S. and U.K. album charts in 1968 and 1969.
Recorded at Olympic Sound Studios in London and Sunset Sound Studios in Los Angeles from February to July 1968. Originally produced by Jimmy Miller, this rerelease was sourced from the first generation stereo master tape at the correct speed.
Features guest musicians and vocalists: Nicky Hopkins, Rocky Dijon, Ric Grech, Dave Mason and The Watts Street Gospel Choir.
ABKCO Music and Records Inc. and HDTracks® are announcing the first-ever release of high definition digital downloads of The Rolling Stones ground-breaking catalog of studio, compilation and live albums in High-Fidelity FLAC formats offered in both 176.4kHz/24-bit and 88.2kHz/24-bit.
"Many years of research went into locating the original mono and stereo analog tapes that would be used in ABKCO's Rolling Stones Remastered Series. That research revealed a treasure trove of first generation tapes - true stereo masters from The Stones' 1964 Chess Studios sessions including the unedited version of "2120 South Michigan Avenue," Beggar's Banquet at its correct speed and Let It Bleed with splicing that indicates that the original intention was to leave little spacing between each cut.
For the analog to digital transfers, vintage reel-to-reel tape machines were utilized - a modified Ampex 351 with original tube electronics (full track mono and two track stereo) and an Ampex ATR-102 modified with Aria Discrete Class-A Electronics (full track mono and two track stereo). A Sonoma DSD digital audio workstation was the chosen high resolution format and Meitner Design ADC8 and DAC8 MKlV converters were used for the conversion process. Cables used were the cryogenically frozen type supplied to us by Gus Skinas of Super Audio Center. Gus also provided much guidance to Jody Klein, Steve Rosenthal and myself for our first time use of DSD technology. For this HD Tracks release, the Bob Ludwig mastered DSD files were converted to both 176.4kHz and 88.2kHz high resolution PCM with Weiss Saracon conversion software."
- Teri Landi, Archivist and Engineer, ABKCO Music & Records
As I couldn't found big difference between CD and 88kHz/24bit source of Let It Bleed, I tried to purchase more HiRes source of 176kHz/24bit edition of this album assuming more acoustic instruments were used and it may made significant difference between CD & HiRes source.
I admit HiRes ones sounds better, but not so much as I expected.
So I think CD editions are already mastered in DSD and established excellent sound quality compare as it used to be.
